BOOK: Pitch
- Todd Boss
- Feb 6, 2012
- 2 min read
Updated: Aug 31

Todd's second poetry collection from W. W. Norton & Company, Pitch, was a 2012-13 finalist for the Minnesota Book Award and won the Midwest Bookseller's Choice Award, among other honors.
There is a rich physicality in
all of Todd Boss’s poems, a reverent
gusto for representing the tactile aspects of human life. His poems are about
matter in motion… The poems in Pitch are never pretentious but always
acrobatic, sensuous, technically
inventive, muscular, and fun.
— Tony Hoagland
To say that the poems in Pitch tend toward music is to state the obvious. Consider the multiple meanings of the book’s title. Consider the collection’s table of contents: poems called “Three Funeral Songs” or “A Waltz for the Lovelorn.”
There’s more than a little country twang in “Luckenbach,” just as there’s
Bach and Bartok in “Overtures on an Overturned Piano.” In Pitch, one feels
in the presence of both a soloist and a skilled composer.
— Connie Wanek
The collection opens with these poems, which contextualize the rest of the book, by drawing from Todd's agricultural roots:
It Is Enough to Enter Click here to hear Todd read poems from Pitch.
the templar
halls of museums, for
example, or
the chambers of churches,
and admire
no more than the beauty
there, or
remember the graveness
of stone, or
whatever. You don’t
have to do any
better. You don’t have to
understand
the liturgy or know history
to feel holy
in a gallery or presbytery.
It is enough
to have come just so far.
You need
not be opened any more
than does
a door, standing ajar.
Boss’s poems generate their own rambunctious music
and remind us that ‘yes, / miracles happen.’
—Minneapolis Star and Tribune
In Pitch, Boss recreates the world as music — one thinks of Frost, of Kay Ryan — that undoes us even as it enchants us. What a pleasure this book is: what a gift.
—Jim Moore
The poems ring clearly; ‘pitch,’ they recall, is a way to fall as well as a way to sing.
—Cleveland Plain Dealer
This is poetic form within and without that makes a true energy.
—Washington Independent Review
Boss is on his way, pitching headlong into the future, and readers will want to follow.
—Booklist Online
When reading these poems, I feel as though I can see the flickering made by the first flame, the first candle ever lit by poetry. Pitch ‘must’ve / taken its author some / time, some shove. / I’ll bet it felt good / in the hand’ but not half as good as it feels to read it.
—Matthew Dickman
Pitch was inspired by a true story: The time my father lost the family piano off the back of his pickup truck near our Wisconsin farm when I was 12. The resulting poem, "Overtures on an Overturned Piano," is one of my favorite things to read to a crowd. My poems often tell stories, and utilize humor and surprise. Where would we be without stories, humor, or surprise?





Comments